Wednesday, July 25, 2012

The Continuing Decline of Children's TV Series


The Continuing Decline of Children’s TV Shows
There was a time, not too long ago where I could turn on the TV and watch very entertaining TV shows for children and would learn an educational or moral lesson. I could find these shows on any channel that was targeted at children. Over the past couple of years though, the channels have taken these shows off air and instead show new TV shows that have no quality and seem to be out of touch with their audience.  
            Shows specifically aimed at children and teens haven’t been around for long, due to the fact that when cable was first introduced, there were few channels and they had to be family-oriented, so the whole family could watch it. Ever since cable came out, more and more channels have been launched, which have targeted different audience members. Naturally, channels that had programs for children eventually came out. The 1990s was when shows for children and teens were in full swing. Nickelodeon was among the first channels to have entertaining shows for kids. While the shows weren’t educational, they did, however, relate to everyday life for kids. 
            When you think about the children shows today you have to ask yourself, “What are the exact type of shows that I feel have decreased in quality?” so let’s break the different shows down. Cartoon, life-action, and educational are the three main types of ways of entertaining  children on TV. Educational shows, either in the form of life-action or cartoon, haven’t seemed to have lost its quality, especially on PBS. With cartoons as a mean of pure entertainment, however, it’s a mixed bag. Some shows are great to watch, others are okay. Most cartoon shows, however, target children and adults. On the other hand, life-action shows appeal more to children and young teens, which makes those shows crucial as they are meant to imitate real life and kids look up to the main characters as role models, but the shows today are boring, unfunny, and are not relatable, with relatable being the key element in a children and teen show. While Cartoon Network, Nickelodeon, and Disney Channel (the most watched children’s channels) are all guilty of a decrease in quality of their original shows, I’m more familiar with Disney Channel and will go into greater detail about most of Disney Channel original series than the other channels.
Disney Channel launched on April 18, 1983 and like Nickelodeon, aired foreign shows for kids. Years later, Disney Channel started to air their original shows. The first show I want to talk about premiered on October 25, 1998 and was called The Famous Jett Jackson. It was about a teen actor named Jett Jackson, who starred in a spy show. Realizing that he wants a normal life, the production of this show moves to where his father lives. Disney’s next series, So Weird, which premiered on January 18, 1999, added the supernatural to its premise. The show was about a teen named Fiona Phillips who toured with her rock star mom and had a fascination for and encountering paranormal activity. Disney Channel continued with idea of teen sitcom with a fantasy touch and premiered The Jersey on January 30, 1999. The Jersey was about four friends who discover that the football jersey of one of the friend’s late grandfather’s is magic and when any of them put it on, they are transported into the body of a pro athlete. Disney later premiered Lizzie McGuire on January 12, 2001. Lizzie McGuire focused on its titular character and her two best friends as they experience middle school and being a teenager. The last of Disney Channel’s early shows was Even Stevens. The show was like Lizzie McGuire, but focused on the polar opposite siblings, Louis and Ren Stevens.
            All of these shows had key elements that made it suitable for its audience. I added the premise to all the shows I listed because all of the shows, even the fantasy ones, were all relatable. When it all boiled down to it, the kids acted like kids and had conflicts that any kid would have at that age. Like I said earlier, the targeted audiences for all of those shows are children and young teens. They need to see a show where they have a main character that has faults, but has a good heart and learns a lesson, or gives a lesson, or both. Another element is at least one of the main character’s parents is present. The parents were always there to give their child advice. One other element was the fact that both boys and girls could watch the majority of the original series. This last element is surprisingly crucial and could be the reason why a lot of life-action shows have lost their quality. All the shows I mentioned were not filmed with a multi-film setup (ex. The Big Bang Theory,) were not filmed in front of a life studio audience, did not use a laugh track. Since the writers didn’t have to write a joke every chance they got, they didn’t have to have their characters make one joke after another and instead, have the characters speak like normal people. Without the constant joking, the writers could write about realistic drama.
            The next show Disney Channel aired was when the channel started to film in a multi-camera setup and was either filmed in front of a life studio audience or used a laugh track. This show was That So Raven, which premiered on January 17, 2003. The show was about a teenager named Raven Baxter who had psychic visions which would lead her into sticky situations. At first, the series was good, because all the characters were likable and a point could get across. Eventually, when more multi-camera shows of Disney Channel were being aired, Raven’s personality and a lot of other characters’ personality started to become annoying, perhaps to coincide with the personalities of other characters from other shows.
            Disney’s next show was when the premise of many their later shows became completely non-relatable. This show was The Suite Life of Zack & Cody and it premiered on March 18, 2005. The premise was that eleven-year-old twins Zach and Cody and their mother lived in an exquisite hotel, because any child can relate to that (sarcasm of course). In the show’s fairness the characters were initially likable and the twins did learn a lesson. Later on in the series, as the twins got older, though, it seemed as if the writers wanted to make the characters say clean profanity like “darn you to heck.” Not only is it annoying, but it is hinting at what the actual saying is, “damn you to hell.” Another incident I found was an episode title of theirs called “Heck’s Kitchen.” The problem I have with this is that they are trying to clean up the term, “Hell’s Kitchen,” which is a historical term. A more appropriate term they could have used was “Hades’ Kitchen” which is a more clever and educational choice. The next show that Disney released is when everything went downhill.
            Hannah Montana premiered on March 24, 2006. Its premise was a seemingly normal young teen was actually a famous pop star. Like That’s So Raven and Zack & Cody the show started out alright. The main character was nice, but as the series progressed, she started to become mean, selfish, and would use her alter ego to her advantage. To further prove my point, Sam Kramer, a journalist major at Penn State wrote about the show in his article, “Children’s TV Losing Quality,” and this is what he said:
“Then there’s “Hannah Montana,” a story depicting Miley Stewart (Miley Cyrus) as she “struggles” to live a normal life while being a teenage pop star.
First of all, I don’t know how dumb Disney writers think we are, but I can still recognize someone when they put on a wig. That’s not the only problem with this show, though — the characters are mindless, simple and predictable. The humor revolves around fart jokes, clumsiness and babbling.
“But most of all, it’s absolutely nothing we can relate to. How many of you are hiding behind a wig from a million-dollar pop music career? How many of you have a beach house in Malibu with a father who sports highlighted, shoulder-length hair?”-Sam Kramer
After Hannah Montana, all the shows started to have the same problem. The premises of the shows were not relatable, to a point that it was repetitive, the actors overacted their character, and there is less parental authority. If anything, the parents are a much of a kid as their own children do. For example, other shows that came after Hannah Montana include Sonny with a Chance which was about a small-town girl who gets her big break and becomes part of a popular sketch show called So Random!.  Another show, Jessie, is about a teen from Texas who moves to New York City and becomes a nanny for a rich family. If anything, later shows become even more unrealistic. Despite all the issues I have with all the shows I mentioned these shows continue running and have similar plots. One of the reasons could be due the fact that these days, writers are unsure of what to write about (Coles). Children, however, are enjoying these shows. One reason is kids will watch anything. Another reason is this is all they show. Disney Channel no longer shows any of their older shows or if they do, they show it at 2am.
            Nickelodeon also has similar shows that Disney Channel has. They are filmed in front of a live studio audience or use a laugh track. They also have the same premise that is not relatable. For example there is True Jackson, VP, which is about a teen that gets a Vice President position at a renowned clothing business. iCarly, another show by Nick, was about a teen who becomes an internet celebrity. While in today’s terms, this is probable, the humor is too suggestive.
            While children enjoy these latest shows, it is certainly not in their best interest. If kids today could watch TV shows that came out a mere ten years ago, I believe they would really like it. This issue is so big, that I could write a book about it, but unfortunately, I am limited to talking about a fraction of the issue. 


Works Cited
Kramer, Sam. “Children’s TV shows losing quality.” The Daily Collegian. September 14, 2011. Web. July 4, 2012
http://www.collegian.psu.edu/archive/2011/09/14/childrens_tv_shows_losing_quality.ahttp://www.collegian.psu.edu/archive/2011/09/14/childrens_tv_shows_losing_quality.aspxspx
Coles, Bobby. “Assessing the decline of quality family oriented television series.” Helium. October 26, 2007. Web. July 4, 2012.
http://www.helium.com/items/665021-assessing-the-decline-of-quality-family-oriented-television-series

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